The Whiteheaded Boy review: Heart of Abbey’s summer show lies in an unexpected place
Genevieve Hulme-Beaman combines deadpan melancholy with sublimely odd physical comedy in Annie Ryan’s bawdy staging of the Lennox Robinson play
Poison review: Full of emotional texture, this play deserves richer characterisation
Theatre: In the Irish premiere of Lot Vekemans’s play, grieving parents care most about trying to dominate each other
The Good Luck Club review: Absorbing study of Irish sweepstake greed features oodles of skulduggery
Louise Lowe’s promenade piece, at the National Archives, portrays the shady history of the Irish Hospitals’ Sweepstake
Les Misérables: The Arena Concert Spectacular – You’ll never have heard the musical so brilliantly sung
Theatre: Killian Donnelly leads a cast that features some of the greatest voices associated with the production
The Kerryman review: A love story riddled with missed points and misunderstandings
In Eva O’Connor’s new play, worlds collide as a young couple struggle to understand why they’re so drawn to one another
Norma review: Irish National Opera’s priority needed to be finding the right soprano. It did
Salome Jicia surmounts every vocal challenge of the role. She is well matched with Mario Chang, William Guanbo Su and Siobhan Stagg
Puff review: Hiltinho Fantástico’s glorious movement shows the possibilities of the human body
Dublin Dance Festival 2026: Created with Alice Ripoll, Puff is a homage to Brazil’s passinho urban dance
Soft God by Emma Martin – Powerful performances in a dance show where it helps to embrace the chaos
Dublin Dance Festival 2026: The dancers never waver in a production that is sometimes whimsical, at other times thoughtful
The Fifth Sun review: Mufutau Yusuf’s rare artistry comes to beautiful, moving life
Dublin Dance Festival 2026: Luail displays remarkable interconnectedness as tableaux combine into a profound interpretation of the nature of being alive
Shard review: Utterly compelling, flawlessly performed portrayal of a disintegrating society
Theatre: Neill Fleming evokes real fear in Stewart Roche’s intricate, intellectually daring tale for our confused and troubling times
The Gate’s assured Ideal Husband remains fittingly haunted by the circumstances of its creation
Matthew Malone and Caitríona Ennis star in Marc Atkinson Borrull’s revival of Oscar Wilde’s most political work
Silvia Gribaudi: Suspended Chorus review – Grace, fluidity and a sense of abandon
Dublin Dance Festival 2026: One-woman show illuminates vulnerability of performers, particularly female dancers who defy Instagrammable stereotypes
‘Please don’t mention anything that happens here,’ Derren Brown says. But I have to tell you about it
At the Gaiety Theatre in Dublin, we start to doubt the authenticity of the illusion and wonder how much of what we are seeing has been baked in advance
The BBC’s First Homosexual review: A poignant, revelatory look at an era when gay liberation remained a mirage
In Stephen M Hornby’s play, a young gay man tries to find his way in a hostile 1950s world as the broadcaster investigates ‘the homosexual condition’
Tea in a China Cup review: Before Derry Girls, there was Christina Reid’s knockout comedy
Amy Molloy, Mary Moulds, Marie Jones and Katie Tumelty star in Dan Gordon’s revival of the Belfast writer’s first play
Junk Ensemble: Storm 1.0 review – A sense of hope in the face of a gathering storm
Dublin Dance Festival 2026: Amir Sabra, Imogen Alvares and Les Neish battle the elements in Megan and Jessica Kennedy’s visually arresting production
My Fierce Ignorant Step review – 60 hypnotic, exhilarating minutes
Dublin Dance Festival 2026: The Greek choreographer Christos Papadopoulos reclaims a collective identity
Moonlight Dream review – Delightful children’s dance show goes on a magical tour of the night sky
Dublin Dance Festival 2026: Sandy Cuthbert, Janie Doherty and Andrea Madore skim around the stage as Ursula Burns performs a perfectly otherworldly score
Sorry You Felt That Way review: A Rorschach test for the way you view love and relationships
Harry Butler’s complex play takes aim at therapy talk, consent, the politics of naming harm, and the perils of the blame game
Elysium Nevada review: Sharply written comedy with melancholy and menace under the surface
Theatre: Michael James Ford, Mark O’Regan and Bairbre Ní Chaoimh star in this revival of Barry McKinley’s play
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