Sara Keating

Global, the Artemis Fowl author’s new collaboration, is designed to empower and inform young readers about climate change

Theatre: The harder this drama works to make Williams’ play accessible, the more ridiculous it seems

Dublin Dance Festival 2023: Mark Brew, director of The Race, has set out to be a role model for young disabled people who want to be in the performing arts

The star’s New York classes inspired Terrence McNally to write his Tony-winning play. Caitríona Ní Mhurchú brings the soprano to life in a new Dublin staging

Brief reviews of Wally the World’s Greatest Piano-Playing Wombat; Bear and Bird; The Táin; Kevin’s in a Mood; Emerald and the Ocean Parade; and Ivy Newt and the Storm Witch

Mark O’Rowe’s scrupulously naturalistic dialogue balances plot’s tendency towards melodrama

Theatre: Abigail McGibbon, as Delaney’s wife, is also excellent under Conleth Hill’s direction – but the interval is a bad idea

The one-time Game of Thrones star is loving not having to learn lines as director of Arthur Miller’s The Price at The Gate

Actor Cathy Belton and dramatist Mark O’Rowe’s fascination with the Norwegian’s 1881 play bears fruit in a new version coming to the Abbey

Theatre: The staging of the supernatural work of Neil Gaiman is big-budget showbiz at its best

The actor, who is receiving a Special Tribute Award at the Irish Times Theatre Awards, on his early days at Radio Éireann and a ghostly encounter with WB Yeats

Theatre: Verbal entendres matched with physical gestures suggest the demographic pitch is the adult audience

Production reveals itself as a taut theatrical thriller that leaves aside the tired tropes of his early Oirish comedies

Theatre: Clever writing keeps focus on character, action and spectacle even as this take on modern parenting raises sociopolitical issues

Theatre: It is better to submit to the pleasure of this sumptuous production than to ask questions about its deeper meaning