Taking their title from their respective home places – Armagh’s Orchard and Mayo’s Yew – Cillian Vallely and David Doocey have created a fresh-faced sound from their pipes and fiddle, a long-standing favoured duo of instruments in the tradition.
This is a collection that has much to mine. Drawing deeply from the well, the duo have made some stellar tune choices, and contributed no fewer than six newly composed tunes themselves. Geography presents no barriers, and in fact it’s their lively and imaginative tune pairings that elevate their sets from the get-go.
The reel set tail-ended by O’Reilly’s Greyhound emerges from the traps striking a subtle note with fiddle and guitar (courtesy of Patrick Doocey, David’s brother), but once Vallely’s pipes join the fray they weave a gorgeously languid pattern across a set bequeathed from the playing of Denis Murphy and O’Neill’s Music of Ireland collection from the 1930s.
Both musicians’ own compositions are stellar – sharp in definition and playing to the harmonic strengths of their instruments. Vallely’s utter possession of the pipes is evident throughout, while Doocey’s fiddle has an innate swing that charms the pants off his tune choices. Guitar accompaniment is also provided by Seán Óg Graham, with some very tasty piano from Caoimhín Vallely.
I feel we’re close now, Meghan, so I can speak freely. The right pitch is crucial in lifestyle hucksterism like yours
As Fergus Finlay and Tom Clonan’s spat escalates, Sarah McInerney relishes the radio gold
No, the Irish who come to Australia are not the ‘worst’
An Irishman in Spain: ‘Salaries are much lower here, but my mental health is far better’
This album is at its best when at its most spare, with fiddle and pipes almost wooing one another in a dance that never lets up, luring the listener ever closer, all the more to relish the filigree ornamentation of it all.
