The Christophers review: Steven Soderbergh’s film scrapes by thanks to a compelling cast
By Tara Brady
The Sheep Detectives review: The farmyard hasn’t been this disarming since Babe
By Tara Brady
Billie Eilish (Live in 3D) review: Stunning views show raw power of an incredible artist
By Tara Brady
Iron Maiden: Burning Ambition review – Tight pants, greasy leather and a very excited Javier Bardem
Reflection in a Dead Diamond review: Who needs a new Bond film when there’s this to be dazzled by?
By Tara Brady
The Devil Wears Prada 2 review: Lovely clothes. Savage quips. And a cameo by a celebrated Irish golfer
Hokum review: Adam Scott excels in this Irish ghost story with a sly sense of fun
By Tara Brady
Exit 8 review: An elegant horror that forces the unfortunate hero’s paranoid mindset on the viewer
By Tara Brady
Rose of Nevada review: Mark Jenkin explores the slipperiness of time in this extraordinary film
Michael review: Two hours of cosplay karaoke – and absolutely no suggestion of impropriety
By Tara Brady
The Blue Trail review: Ageing rebel’s spirit reawakens in defiant journey down the Amazon
By Tara Brady
The Wizard of the Kremlin review: Jude Law lends gravitas to this clunky drama
By Tara Brady
Kiss of the Spider Woman review: Jennifer Lopez brings the house down. But it’s not quite enough
Father Mother Sister Brother review: The lowest point of Jim Jarmusch’s wildly uneven film is sadly the Dublin section
By Tara Brady
Undertone review: Creepy Catholic iconography adds to unease of debut director’s eerie chiller
By Tara Brady
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