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Tracker by Alexis Wright; Pig by Matilde Pratesi; Taking Manhattan by Russell Shorto

A compelling read, one that comes up short and a scholarly, engaging history

Alexis Wright assembles a chorus of voices in Tracker. Photograph: Vincent L Long
Alexis Wright assembles a chorus of voices in Tracker. Photograph: Vincent L Long
Tracker by Alexis Wright (And Other Stories, £19.99)

“Am I Aboriginal, or how much of an Aboriginal am I?” This question, posed by Tracker Tilmouth, encapsulates the profound introspection at the heart of Tracker. More than a biography, Alexis Wright’s work is a living, breathing testament to oral storytelling. Chronicling the extraordinary life of Aboriginal leader Tracker Tilmouth, she assembles a chorus of voices, refusing to smooth them into a singular narrative. The result is messy, brilliant, and deeply human. Tilmouth emerges as a fiercely intelligent, often mischievous visionary – someone who saw beyond political pragmatism to a radically different future for his people. Wright challenges western notions of biography, privileging contradiction and collective memory over linear storytelling. It demands patience, but the reward is immense: a portrait not just of a man but of history in motion. Storytelling here is resistance – complex, unfiltered, and utterly compelling. – Adam Wyeth

Pig by Matilde Pratesi (Little Brown, £20)

This debut novel, shortlisted in 2023 for the Caledonia Novel Award, addresses the topics of neurodiversity and coercive relationships. However, the author’s naive understanding of these subjects makes for an uncomfortable read. Vale, our pig-obsessed protagonist and narrator, is inconsistent as a character. The young Italian woman displays a lack of self-awareness when such is required of the plot and ample self-awareness when that is required of the plot. Vale’s world, viewpoint and experience of a coercive relationship with her childhood friend challenge credibility. Pratesi may be well intentioned, but this is not matched by a knowledge base worthy of the neurodiverse community. Moreover, this lack of rigour does an injustice to Pratesi’s characters and her readers. – Brigid O’Dea

Taking Manhattan: The extraordinary events that created New York and shaped America by Russell Shorto (Swift Press, £20)

New York was not named twice because it was “so good”, as the song says, but because two European imperial powers successively ruled and developed it on land that they annexed from the indigenous inhabitants. New Amsterdam, on the southern tip of Manhattan Island, was created 400 years ago, in 1625, by the Dutch West India Company. It was renamed 40 years later following a 10-day siege by four gunboats sent by Britain’s Duke of York, who had been gifted its contiguous lands by his brother, King Charles II. A bloodless Anglo-Dutch “corporate merger” then begat the “hybrid colony”, this scholarly and engaging history shows. – Ray Burke