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Uberto Pasolini’s adaptation of the gory closing chapters of Homer’s epic poem eschews witches, monsters and goddesses in favour of PTSD
Film-maker
Uberto Pasolini’s adaptation of the gory closing chapters of Homer’s epic poem eschews witches, monsters and goddesses in favour of PTSD
The actor, who recently starred in the Oscar-winning Conclave, arrives to Uberto Pasolini’s The Return as a known property – but is still also a bit of a mystery
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