After seeing more than 130 shows, the judges have made 60 nominations in 15 categories

The Snapper has been brought to the stage. But, with the benefit of hindsight, what can the stage bring to The Snapper?

Mark O’Rowe’s stark production treats the the play almost as a documentary and cleverly casts against type

In her new show, choreographer Liz Roche makes a golden connection to the poet

Nevermind Mark O’Rowe’s return to dialogue, does his family tragedy for the Abbey signal a new commitment to realism? Or is anything here as it seems?

Mark O’Rowe transforms his two-hander monologue play into an epic one-man performance for Tom Vaughan-Lawlor