In Stacey Gregg’s new play, the forces that push us around are creatures of our own creation
To hell with humans; we’re on the terminators’ side, in NYT’s reboot of Karel Capek’s 1921 play
There are few bumps in the road during this warm but slight journey
This is a purgatorial experience of emigration, where nobody is ever at home
What starts out as a lame script turns desperate and then ugly, and all for the love of Garth
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