‘I was prowling around my flat:’ George MacKay on becoming a wolf
The English actor on new Irish film Wolf, Saoirse Ronan and his Celtic connections
Justin Kurzel
Film-maker
The Tragedy of Macbeth: Lean, efficient take on the Scottish Play
Joel Coen delivers an expressionist version of the often-filmed drama
Donald Clarke: When is a new take on a movie not a remake?
A complex formula involving several variables dictates whether the word is appropriate
Confusion at Cannes as Spike Lee reveals Palme d’Or winner too soon
French director Julia Ducournau’s serial killer odyssey Titane wins top honour
50 scary films to watch at Halloween
Scare yourself silly with this list of everything from classic films to modern hits
Dublin the last international film festival to dodge the global shutdown
The singularly imaginative film, one of many discoveries, was a worthy winner
True History of the Kelly Gang: How an Irish bandit became Australian antihero
Review: This tale of colonial abuse in 1880s Australia is no neat origin story for Ned Kelly
George MacKay: ‘My influences? Conor McGregor and wallabies’
After his turn in 1917, the actor is tackling the role of iconic Australian outlaw Ned Kelly
Film 2020: The 50 films to watch out for
The best biopics, documentaries, cartoons, features and award favourites of the year
Which films are in contention as interminable awards season ramps up?
Donald Clarke runs the rule over the likely winners ahead of this week’s festival trifecta
Irish movies feature strongly at Toronto International Film Festival
Canadian event is the most important cinema festival in North American calendar
Paddy Considine: ‘I can’t remember the last big film I’ve seen that was any good’
Director talks about his new film, his 'crippling' Irlen syndrome and why Hollywood isn’t everything
Slow West: ‘The Brits secretly all want to make westerns’
Interview: John Maclean, once of the Beta Band, set out to demythologise the western in his first film, Slow West. He’s succeeded
Cannes 2015: who’ll bag the Palme d’Or?
It looks like a three-horse race led by Todd Haynes’s ‘Carol’, starring Cate Blanchett, and László Nemes’s ‘Son of Saul’. Could Hou Hsiao-Hsien’s stunningly beautiful ‘The Assassin’ sneak through to win?
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