Filming a live play during Covid: ‘We were playing Russian roulette’
Producing David Ireland’s Sadie at Belfast’s Lyric Theatre for TV was nerve-wracking
Bloodlands: A thriller set in the so-called ‘new Northern Ireland’
Chris Brandon is the writer of a new series featuring James Nesbitt as a hard-bitten detective
Cotton Fingers has its Irish debut: ‘Here is a young woman and her circumstances’
Amy Molloy stars in the Welsh play about an unwanted pregnancy in Northern Ireland
Reveal-ed: How investment helped the arts in the North
A three-day showcase of new work by northern artists highlights the work of a grant from the Paul Hamlyn Foundation
Dear Arabella: Softer, subtler, but Marie Jones sharp-eyed as ever
Belfast International Arts Festival review: Three lonely women gain a new sense of purpose
DU Dance: making the world a better place
It’s about more than just dance; it’s about transforming lives and bridging cultural divides
Beauty and the Beast in Belfast: Bloodless, bland and banal
Undoing Disney was brave but there is no magic in this rock opera alternative
The Suppliant Women review at the Belfast International Arts Festival
This stunning newly translated version of Aeschylus’ poetic tidal wave is tailor-made for a 21st century audience
Cinderella review: a subversive take on the fairytale favourite
Dignity gets thrown to the wind and the show is all the better for it
Children’s Christmas show review: Sleeping Beauty
A short and sweet piece of family theatre with a knowing subversive edge
Review: Molly Sweeney
Abigail Graham’s refreshing production looks anew upon Friel’s richly layered play
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