The Importance of Being Earnest review: Wilde wins again
As his parade of double lives spills out of the closet, Oscar Wilde peers down on a production that is almost entirely at his service
As his parade of double lives spills out of the closet, Oscar Wilde peers down on a production that is almost entirely at his service
A dutiful, illustrative staging of Arthur Miller’s 1956 drama rather than a freshly invigorating one
The moors of Emily Brontë’s novel are raging and unruly, peaceful and polite. Is the new Gate adapation torn between two worlds?
A prequel to his masterful Bailegangaire, Brigit fleshes out a complex family history, but Tom Murphy’s new play is a more vivid portrait of the artist
Priest recalls an ‘extraordinary’ person
Ibsen’s whistle blower brings us worrying news from Norway via Arthur Miller’s America
Everyone has a double identity in Bernard Shaw’s play. So does the Gate’s new production
Crosswords & puzzles to keep you challenged and entertained
How does a post-Brexit world shape the identity and relationship of these islands
Inquests into the nightclub fire that led to the deaths of 48 people
Weddings, Births, Deaths and other family notices