In Oil is the Devil's Excrement, artist David Jacques looks at how oil discoveries can hamper a country, as domestic manufacturing and agriculture fade and growth suffers in the long term
Venice’s first African-born curator, Okwui Enwezor, is on a mission to clean up the spiritual home of the art world and remind us of its social and political responsibilities
Has anything changed since the 1989 poster that asked ‘do women have to be naked to get into the Met Museum?’
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