Freeing Lolita from Nabokov’s narrative clutches

Dublin Dance Festival 2018 reviews: Junk Ensemble’s ‘Dolores’, Robyn Orlin’s ‘And so you see...’, ‘(b)reaching stillness’, ‘Ion’, Yvonne Rainer and DAI the dancing robot


Repulsion and attraction in New Orleans

What makes the lead performances so compelling in this version of ‘Streetcar’ is that each actor subtly plays their character against type






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Common Ground

How does a post-Brexit world shape the identity and relationship of these islands