Christian O’Reilly


Theatre review: The Good Father

The sharp dialogue and narrative energy of this drama of unintended pregnancy mask the timelessness of its core themes


Review: ID

The latest show from Galway’s Blue Teapot, which plays with the acronym ID, doesn’t make intellectual disability its only form of identification


Review: Chapatti

An American-Irish co-production of Christian O’Reilly’s Dublin-set play brings unfamiliar accents and suprisingly sour notes to a familiar genre


Alone at last

Two lovers with intellectual disability slip away to a hotel room in Christian O’Reilly’s finely balanced play for Blue Teapot. Do they need protection?


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