Pedro Almodóvar: Writing for men is a ‘kind of torture’
The Spanish director on the making of his latest movie Julieta, his ‘unity with women’, and the lack of authenticity in modern cinema
Éilís Ní Dhuibhne: A compelling voice in anyone’s language
The latest Hennessy hall-of-famer is mesmeric and convincing when writing in English and turns her simpler Irish to great use in her crime writing
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