Hecuba review: Perspective and psychology brought to an ancient tale
Dublin Theatre Festival: In Marina Carr’s version of Hecuba, the scale of tragedy is made rivetingly intimate
Aislín McGuckin: On My Culture Radar
The actor on Azurmendi in Bilbao, Mark Ruffalo’s talent, and sources of inspiration
BBC reveals stars of its adaptation of Sally Rooney’s Normal People
Lenny Abrahamson to direct Paul Mescal and Daisy Edgar-Jones in 12-part series
Abbey Theatre uproar: 300 actors and directors complain to Minister
National theatre’s new policy sees pay ‘fall 25%’ and overall employment ‘dry up’
Come On Home: A tale of sexual repression and provincial suffocation
Review: Phillip McMahon's story of a returning emigrant offers few innovations but vivid performances and resonant dialogue
Culture Shock: Nothing is funnier than unhappiness, which is why we’re drawn to Russian drama
Brian Friel plays up the farce in his version of Turgenev’s ‘A Month in the Country’, but Ethan McSweeny’s production at the Gate Theatre in Dublin seems reluctant to go all the way
A Month in the Country review: Getting a grip on some love angles
Turgenev’s play gets a stately pace as Brian Friel smuggles the radical energy of passion into a distinctly Irish word play
Famished Castle: ‘What happens lost love? Where does it go?’
Hilary Fannin’s play takes in a decade of loves won and lost and our economic boom and bust
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