Bono at Cannes: ‘You wrote this story. The Edge wrote this story. Adam and Larry wrote this story. McGuinness wrote this story’
Magic Farm review: Chloë Sevigny channels Gen X-worthy self-deprecation in surreal satire that skewers Americans abroad
By Tara Brady
First Look: Mission: Impossible – The Final Reckoning: Tom Cruise gets all sentimental amid some suave mayhem
Final Destination: Bloodlines review – The same running gag, but not quite as much invention
Riefenstahl review: Unrepentant propagandist will make you want to yell at the screen, but this fine film gets her in the end
The Wedding Banquet review: Charming cast outshine the flimsy material in fluffy remake of Ang Lee’s indie classic
By Tara Brady
Ocean with David Attenborough review: Age has done little to quell the naturalist’s intellectual curiosity and childlike wonder
By Tara Brady
Screamboat: Mickey Mouse as a violent psychopath is no classic, but gory twist on Disney knows its audience
By Tara Brady
Amongst the Wolves review: This Irish drug dealer is in debt to a villain played by Aidan Gillen. That never bodes well
Thunderbolts* review: Florence Pugh stars in the least bad of Marvel’s trilogy of obscure team-up flicks
April review: This five-star film is difficult and abrasive, but it’s also cinematic poetry
The Ugly Stepsister: This Cinderella story is gruesome, hilarious and definitely not for children
By Tara Brady
Fréwaka review: Aislinn Clarke’s Gaeltacht horror mines Irish mythology for socially conscious spookery
By Tara Brady
The Friend review: Bill Murray and Naomi Watts are genuinely touching in this lovely New York fantasy
Verdigris review: Irish director Patricia Kelly’s remarkable debut is a delicate drama about tricky subjects
By Tara Brady
Sinners review: The best film of 2025 so far, right down to the Celtic vampires singing Rocky Road to Dublin
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