Eurovision Song Contest: The Story of Fire Saga – Enjoyable silliness that hits the right notes

Review: Pierce Brosnan has not arched his eyebrows this much in years

Eurovision Song Contest: The Story of Fire Saga
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Director: David Dobkin
Cert: Club
Genre: Comedy
Starring: Will Ferrell, Rachel McAdams, Pierce Brosnan, Dan Stevens, Demi Lovato, Graham Norton, Ólafur Darri Ólafsson, Björn Hlynur Haraldsson, Nína Dögg Filippusdóttir, Jóhannes Haukur Jóhannesson
Running Time: 2 hrs 4 mins

Graham Norton may be the only such name listed in the credits, but Eurovision superfans will find more than one thrilling cameo in this well-meaning Will Ferrell comedy, inspired by the planet’s most beloved song contest.

There’s a pleasing familiarity to the Ferrell fool at the heart of The Story of Fire Saga. And at age 52, his manbabies now have an additionally appealing absurdity. Marrying the naivety of Elf’s Buddy and the obliviousness of Talladega Nights’ Ricky Bobby, Lars (Ferrell) is an aspiring musician who has longed to represent his native Iceland at Eurovision since seeing Abba perform Waterloo. (Human years don’t count for much here.)

The adoring Sigrit (McAdams) makes up the other half of Fire Saga, a band who are routinely jeered at their local pub. When they are improbably given the opportunity to represent their country at the Eurovision Song Contest, nobody thinks they can win, least of all Lars’s disapproving dad – “my extremely handsome father”, as his crooning son has it – played by Pierce Brosnan.

Made by Wedding Crashers director David Dobkin from a screenplay by Ferrell and Andrew Steele (who previously collaborated on the underrated Casa di mi Padre), this isn’t as funny as Blades of Glory or The Other Guys or premier league Ferrell outings. It is, however, amusing and good-natured.

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A very game cast help. Dan Stevens’s preening Russian contestant is a delight, Pierce Brosnan hasn’t arched his eyebrows this much since he quit James Bond, Demi Lovato turns out to have an unnerving capacity to undermine her own glamorous image, and famous Icelandic actors pop up to make merry with their native accents.

Made for Netflix – with an eye on US subscribers – the script is careful to school the viewer on the inherent absurdities of Eurovision. European viewers can simply sit back and enjoy the silliness.

Tara Brady

Tara Brady

Tara Brady, a contributor to The Irish Times, is a writer and film critic