La Cocina review: A kitchen drama that makes The Bear feel like listening to Enya in a garden centre
Alonso Ruizpalacios’s thrilling, sprawling drama is seldom less than operatic, with an emotional register to match
Misericordia review: We know whodunit in this Hitchcockian murder-comedy. But what’s everyone else up to?
This heavily decorated French film offers a heady and murky marriage of enigmatic motivations, sexual and otherwise
Novocaine star Amber Midthunder: ‘I have been so fortunate to work with actors like Liam Neeson. I nerd out with myself’
Playing a romantic role in a Hollywood movie may not be as exhilarating as killing a Predator in Prey, but it is, she says, a significant step forward
Four new films to see this week
Rachel Zegler the best thing in misfire updating of Snow White. Plus an Oscar-winning Latvian animation, a compelling Chinese domestic drama, and Robert De Niro in a superfluous sub-Goodfellas mob tale
Snow White review: Live-action reimagining of the classic 1937 film is a muddled mess
Most distracting flaws are rooted in problematic re-creation of animated material in ‘live action’ cinema
The Alto Knights review: Robert De Niro’s gimmicky mobster double act is an unnecessary distraction
There’s so much mobsplaining in Barry Levinson’s messy Mafia movie it feels like a Wikipedia entry
Away: After all those cheap and nasty children’s movies, here’s a gem
Film review: Gints Zilbalodis made this gorgeous feature-length animation entirely by himself
Four new films to see this week: Black Bag, Sister Midnight, Opus, The Electric State
Steven Sodergergh’s starry espionage caper is sleek and stylish. Plus an inventive Indian caper, an oddball popstar horror, and a blandly expensive sci-fi bust on Netflix
Oscar winner Gints Zilbalodis: ‘It’s really cool that we can make these films with free software’
Flow, which the self-taught director made for $3.5m, beat Pixar and DreamWorks to take the Academy Award for best animated feature
The Electric State: Netflix gives the Russos $320m and this is all they have to show for it?
The brothers try to deliver some Spielberg-style wide-eyed magic but serve up a sorry action flick
Opus: John Malkovich’s bopping saves this inventive but frustrating horror film
Ayo Edebiri is a notebook-clutching Nancy Drew in this exploration of cult celebrity
Sister Midnight director Karan Kandhari: ‘I don’t know how, but we snuck this film through the British system’
An extravagantly original fable about marriage, bad housekeeping and some kind of vampirism
Plankton: The Movie review – Who knew marital discord could be so much fun for all ages?
There are many things to love about the latest in a series of character-driven SpongeBob spin-off films
Ernest Cole: Lost and Found – Moving portrait of an exiled apartheid photographer
This documentary relocates its subject at the nexus of ANC truth-and-reconciliation hearings, Jim Crow laws and New York street life
Actor Anamaria Vartolomei: ‘I’m 25 now. I started when I was 10. I’ve been working for 15 years. It sounds weird when I say it’
The star of Happening, Being Maria and Traffic appears next in Bong Joon Ho’s futuristic new film, Mickey 17