Dublin Dance Festival 2024 week two: Reviews of Carcaça, Impasse, My Body of Coming Forth by Day, Bench #3, This Is It and Night Dances
Gate Theatre director Róisín McBrinn: ‘A big part of what I’m trying to do is ensure as many voices as possible are given space and power’
The Pillowman review: Martin McDonagh’s early play gets a pin-sharp, meticulously controlled staging from Lyric and Prime Cut
La Traviata review: Irish National Opera’s season closer features strong singing, but the storytelling doesn’t always work
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