'Who's that whimpering child out there?" Shawn Colvin asked early in a recent show at the Bottom Line in New York. "Who'd dare bring a child to a show like this?"
If you didn't know that the deadpan Colvin was referring to her own daughter in the audience, you'd think the singer-songwriter was a bit cranky. But then, it's hard to imagine that anyone in the packed club wasn't in on the joke.
But once you fall under the spell of the wistful charm and quiet depth of her songs, Colvin connects in a way that makes you as curious about the details of her life as the thoughts in her songs. And the big news there was the birth of her first child two-and-a-half years ago, an event that put her career on hold as she was coming off the biggest album of her late-blooming career. That 1996 collection, A Few Small Repairs, shipped more than a million copies, thanks in large part to the success of Sunny Came Home, the mysterious tale of a woman's vengeance that won Grammys for record and song of the year.
Since the baby's birth, her fans have been wondering about the effect on Colvin's music and career. Would she still be driven to record and tour? Would she be in such a blissful state that her music would become one-dimensional? The answer comes with the release by Columbia Records of Whole New You, a collection of 11 songs she wrote with John Leventhal, her long-time collaborator and producer-line the happiness she wishes for her child and the joy that child has meant to her life.
The song was all the more touching because Colvin had brought her daughter, Caledonia, on stage earlier in the set to sing a few words from Over The Rainbow.
Sitting in a midtown hotel room the next day, the 45-year-old reflected on the moment - not about whether it was good for the show, but whether it was good for her daughter.
"I don't know if it's good for Cal," she said of being in the spotlight. "It's something she likes to do. But you wonder about all that attention - just saying a couple of words and having everyone applaud. It's something I've got to think about. In some ways, I feel this whole thing about pop motherhood is uncharted territory.
"So few women talk or write about what it's like, what it does to their creativity and their drive. Yet it's this utterly transforming experience, and there was no way it couldn't enter into my writing once I started again."
Colvin is as engaging and down to earth in an interview as on stage, apologising at the start for smoking a cigarette and quickly pointing out that she never smokes in her house or when her daughter is around.
Music has been part of Colvin's life since childhood. The South Dakotan taught herself to play guitar when she was 10 and starred in a production of The King And I at high school. She went to Southern Illinois University, but dropped out to be a musician. Over the next few years, she moved from Austin, Texas, to San Francisco and New York, changing musical styles - folk to rock to western swing - as quickly as she changed her address.
It was in New York, opening at the Bottom Line and other clubs in the mid-1980s, that she began to focus on songwriting and developing her folk-based pop style. "It took a long time to find myself as a musician," Colvin says. "I'm a good musical chameleon and a good copycat. I had fun doing other people's songs and playing in all these various styles.
"I didn't have the confidence to try and find my own musical identity until I stopped drinking around 1983. I suffered from this biochemical depression and anxiety disorder, and I thought drinking made me feel better about myself. But it wasn't until I stopped drinking that I started to believe I might really have something to say."
It was around that time that she teamed up with Leventhal, who writes the music for Colvin's lyrics.
She started getting some attention for her songs, but it wasn't until 1987 that she landed a major-label recording contract, with Columbia Records. The first three albums were well received critically, but they didn't establish her as a big seller.
She finally made her breakthrough with A Few Small Repairs, so it was surprising when Colvin, who married the photographer Mario Erwin in 1997, put everything on hold soon after her Grammy wins to have a baby.
"It was by no means the ideal time in my career, but I was 42 and I just refused to think about it or anything else other than having my baby," she to I'll Say I'm Sorry Now, an expression of parental tenderness.
For this tour, Colvin and her four-piece band are being joined on the road by her husband and her daughter.
"There is part of me that says just stay home in Austin, but music is also part of me," Colvin says. "When I couldn't write for a while, I wasn't always happy about that. There were times when I was depressed. I loved my baby, but I also missed my music. Now, I've got them both again."
--Los Angeles Times
