Jim Carrollon music
The biggest music event of the week was not that Coldplay downplay, but rather the release of Grand Theft Auto IV. With publishers Take-Two Interactive/Rockstar Games claiming pre-order sales of $360 million - easily besting the $170 million banked by Halo 3in 2007 - GTA IVis expected to become the biggest selling game of all time.
Many music-business analysts have been taking a close look at the economics behind the music content used in the game.
Around 200 tracks are used in GTA IV. Rockstar Games music supervisor Ivan Pavlovich told Billboardmagazine that it took his team more than 18 months to get the rights to what is the largest soundtrack of any videogame to date.
Pavlovich did not disclose the amounts paid per track, but Billboardestimates Rockstar's spend at around $5,000 per composition and another $5,000 per master recording per track, pushing the total music budget for the game to about $2 million.
While many labels and musicians have seen placement in games as more about promotion than money (and indeed, many acts would regard a $10,000 synch fee as being a bit on the low side), Rockstar's willingness to splash the cash may well entice hitherto reluctant acts to license their music for use in the future. However, bigger names, and larger fees, may not be as attractive to Rockstar.
As it is, GTA's latest soundtrack is an eclectic mix of eastern European pop music, Jamaican dancehall, global funk and new tracks from hip-hop DJ Green Lantern, as well as hits from Smashing Pumpkins, Queen, The Who and others. But aside from calculating synch fees, those left in the record industry should also be wondering why a new music release will never generate the same amount of anticipation, media attention and over- the-counter sales as GTA IV.
When it comes to entertainment, value for money and excitement, it seems none of pop's megastars can compete with a fictional eastern European immigrant called Niko Bellic finding his way around Liberty City.
Downloads go up, CDs go down
Further evidence that the record industry is in need of a radical pick-me-up came when the Recording Industry Association of America released its stats for 2007.
The good news: digital formats now account for nearly a quarter of all US music sales, with a headline figure of 809.9 million paid-for song downloads, a whopping 38 per cent increase on 2006.
The bad news: CD sales continue to slip and slide, down 17.5 per cent on 2006's figures. The really bad news: while sales volumes may be up, revenue is down 11.8 per cent on the previous year. That means less money in the pot, less money to invest in new bands, and less money to pay the wages.
Oh Yeah, says Holmes
Those seeking a taster for David Holmes's forthcoming album should check out the new compilation from the Oh Yeah music centre in Belfast. Holmes has contributed a new track, McCready Rides Again, to the Oh Yeah Sessions '08release.
The compilation also features tunes from the hotly tipped In Case of Fire, The Jane Bradfords, Kowalski, Panama Kings and others. Eight of the tracks were recorded at Oh Yeah's in-house studio.
More information at www.ohyeahbelfast.com
ETC
All tickets for funkmaster Maceo Parker's gig at the Mermaid Arts Centre as part of the Bray Jazz Festival tomorrow night have been snapped up.
This year's FeileAfrica fest in Cork runs from May 22nd-25th with shows from Gregory Isaacs, Afrocelt Sound System's N'faly Kouyate and many others. See www.feileafrica.com
Master At Work Kenny Dope will spend the June bank holiday weekend in Ireland with shows at Dublin's Tivoli (May 31st) and Limerick's Baker Place (June 1st).
