Almost every film in cinemas this week, reviewed and rated

BAD TIMES AT THE EL ROYALE ★★☆☆☆
Directed by Drew Goddard. Starring Jeff Bridges, Cynthia Erivo, Jon Hamm, Dakota Johnson, Cailee Spaeny, Lewis Pullman, Chris Hemsworth, Nick Offerman. 16 cert, gen release, 141 min
A bunch of one-note oddballs – Hamm's seedy salesman, Erivo's soul singer, Bridges' whiskey priest – arrive at a Lake Taho motel and fall out. If Goddard is going to make a film that so shamelessly echoes the post-Tarantino follies of the mid-1990s, are we allowed to just reprint a review from that same era? Things to Do in Denver When You're Dead sounds about right. The actors are all fine, but El Royale outstays its welcome long before the final, exhausting showdown. DC

BLACK 47 ★★★★☆
Directed by Lance Daly. Starring Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keoghan, Moe Dunford, Sarah Greene, Jim Broadbent. 15A cert, general release, 99 min
The first widely released feature to focus on the Great Famine is an unmistakable genre piece. It's The Outlaw Josey Wales with fewer Comanches but more rain. Weaving is the weathered cop pursuing Frecheville's bereaved avenger across the devastated west of Ireland. At times, the determination to include every historical detail causes the package to strain. But the grey pools of Declan Quinn's cinematography and the evocative strains of Brian Byrne's score keep the brain twitching in even the glummest moments. DC

BOHEMIAN RHAPSODY ★★★★☆
Directed by Bryan Singer. Starring Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Aidan Gillen, Tom Hollander, Allen Leech, Mike Myers. 12A cert, gen release, 134 min

Squabbling is a defining characteristic of Bohemian Rhapsody, which blazes through Freddie Mercury's life in a series of agreeably cheesy vignettes: Freddie's Parsi origins and disapproving dad, his lifelong love for Mary Austin (Boynton), the tours, the parties, the loneliness between, the hangers-on, and various eruptions of creative differences with the band. The final scene, a flawless, moving replication of Queen's entire 20-minute set from Live Aid, is absurdly impressive, with Malek interpreting Mercury as a geomagnetic storm. A kind of magic. TB

The trouble with two movies about the Utøya massacre

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Bohemian Rhapsody: A kind of magic. Start engraving that Oscar

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The Hate U Give review: Home truths on the American condition

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COLD WAR/ZIMNA WOJNA ★★★★★
Directed by Pawel Pawlikowski. Starring Joanna Kulig, Tomasz Kot, Borys Szyc. 15A cert, IFI, Dublin, 85 min
Nobody does doomed romance better than Pawlikowski (My Summer of Love), and Cold War is his doomiest romance yet. Love is not enough in this sorrowful, swooning Soviet-era drama concerning composer and pianist Wiktor (Kot) and the blonde, cherubic singer-dancer Zula (the mesmerising Kulig) who heads his folk ensemble. When the troupe reaches East Berlin, the pair have a clear chance to defect but it soon becomes clear that only one of them has any desire to cross the Iron Curtain. Thus begins a decade of border-crossing, partings and reunions. Almost indecently moving and easily one of the films of the year. TB

DOGMAN ★★★★☆
Directed by Matteo Garrone. Starring Marcello Fonte, Edoardo Pesce, Alida Baldari Calabria. 15A cert, IFI, Dublin, 103 min
Marcello (Fonte) is a small, timid, kindly man who runs a dog grooming parlour on a largely abandoned sweep of the southern Italian coast. The neighbourhood is routinely terrorised by a coke-addled ex-boxer (Pesce), a monstrous variant of La Strada's Zampano. Fonte, who was deservedly named best actor at Cannes earlier this year, brings an unforgettable pathos and a doleful expression pitched somewhere between Peter Lorre and Charlie Chaplin to his wronged beta-male hero. TB

DON'T WORRY, HE WON'T GET FAR ON FOOT ★★★☆☆
Directed by Gus Van Sant. Starring Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Udo Kier, Kim Gordon, Beth Ditto. 15A cert, lim release, 114 min
Interesting, lively study of the late cartoonist Bill Callahan, an American original who fought alcoholism after being rendered paraplegic in a car crash. Don't Worry could have turned out as two Movies of the Week in the same package: one about disability and one about alcoholism. But Van Sant's canny casting lifts it above those levels. Phoenix – as phlegmy and scrunch-eyed as ever – plays Callahan as a decent man rendered awkward by ancient neuroses. Hill is excellent as his eccentric mentor. DC

FACES PLACES/VISAGES VILLAGES ★★★★☆
Directed by and featuring Agnès Varda and JR. Club, QFT, Belfast (Fri only), 89 min
This fun, freewheeling documentary hatched between 89-year-old cinema veteran Varda and 33-year-old outdoor installation artist JR is just about the most adorable film of the year. Although slow on stairs, there is a spring in her step as the director of Cleo From 5 to 7 takes to road with JR's camera-shaped van and a printer capable of producing the giant photographic images he uses in his large-form artworks. Rolling into various villages around France, they find suitable subjects and make enchanting art. An absolute delight. TB

FAHRENHEIT 11/9 ★★★★☆
Directed by Michael Moore. Featuring Michael Moore, Donald Trump, Hillary Clinton. Club, QFT, Belfast; Light House, Dublin, 120 min
Michael Moore is back doing what he does: satirical montage, dubious stunts and powerful if sometimes unreliable reporting from the front line. This time round, we get (inevitably) a report from the front line of the Trump Wars. There's something on the Parkland shootings. There's something on the water scandal in the director's hometown of Flint, Michigan. It may be familiar, but the jokes are still good and the anger is still righteous. If you like Moore you'll like this. DC

FIRST MAN ★★★★☆
Directed by Damien Chazelle. Starring Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Patrick Fugit, Christoher Abbott, Ciarán Hinds, Olivia Hamilton. 12A cert, gen release, 141 min
Fine study of Neil Armstrong from the director and star of La La Land. The film is great on the sensual assault of space travel, but it is most notable as a character study. Who better to play such a famously unknowable character than the perennially blank Gosling? Foy will get more demanding roles in her career, but she may be relieved that her dreaded "wife part" is more fleshed out than is usually the case. Spectacular, but also intimate. DC

GOOSEBUMPS 2: HAUNTED HALLOWEEN ★★★☆☆
Directed by Ari Sandel. Starring Jeremy Ray Taylor, Caleel Harris, Wendi McLendon-Covey, Madison Iseman, Ken Jeong, Jack Black. PG cert, gen release, 90 min
Contrary to the dire accompanying warnings on the promotional materials – "Children under 8 may find some of the film's content too scary" – is good, clean family fun. But the picture is haunted, alright: haunted by the absence of Jack Black, who turns up as RL Stine in a late and insignificant cameo. It thus falls to an entirely new set of likable younger characters to do the heavy lifting when Slappy, the evil megalomaniac from the first film, returns. TB

HALLOWEEN ★★★☆☆
Directed by David Gordon Green. Starring Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Virginia Gardner, Nick Castle. 18 cert, gen release, 105 min
The 11th film in the Halloween franchise hovers somewhere between reboot and sequel. Forty years after the murderous events of the 1978 original, Laurie Strode (Jamie Lee Curtis) is a survivalist granny with PTSD whose paranoia and fears around Michael Myers has alienated her from her daughter (Greer) and granddaughte (Matichak). An early scene in Halloween 2018 dismisses the notion that Michael and Laurie are biological siblings. Boom. – everything you knew since 1981 is wrong. It's the only innovation in this perfectly entertaining, decently scary, entirely predictable bit of fanservice. TB

THE HATE U GIVE ★★★★☆
Directed by George Tillman Jr. Starring Amandla Stenberg, Regina Hall, Russell Hornsby, KJ Apa, Anthony Mackie, Sabrina Carpenter, Common, Issa Rae, Lamar Johnson, Dominique Fishback. 12A cert, gen release, 132 min

Stirring, inspiring adaptation of Angie Thomas's novel concerning a young African-American woman coping with the shooting of her friend by a cop. If anything, the film tries too hard to cover all angles of the debate. Her white boyfriend struggles to keep up; another pal reveals low-level racist tendencies. All this can feel a little schematic, but Stenberg's mesmeric performance keeps the picture aloft. She has the gift of spreading warmth wherever she goes and her intelligence shines through in every scene. DC

THE HOUSE WITH A CLOCK IN ITS WALLS ★★★☆☆
Directed by Eli Roth. Starring Cate Blanchett, Jack Black, Kyle MacLachlan, Owen Vaccaro, Renée Elise Goldsberry, Sunny Suljic, Colleen Camp, Lorenza Izzo. PG cert, gen release, 105 min
Roth's unexpected kids' movie wastes no time in whisking the viewer and its 10-year-old protagonist, Lewis (Vaccaro), into a strange new gothic world. It's 1955, and following the death of his parents Lewis is sent to to live with his oddball, kimono-wearing uncle (the always amiable Black), a warlock, and his good witch neighbour (Blanchett). Together they must undo some bad magic left behind by their enchanted house's previous owner, Isaac Izzard (MacLachlan). This is whimsical new territory for the director behind such gory standards as Hostel and The Green Inferno, but Roth has crafted a very convincing Spielbergian family entertainment. TB

JOHNNY ENGLISH STRIKES AGAIN ★★☆☆☆
Directed by David Kerr. Starring Rowan Atkinson, Ben Miller, Olga Kurylenko, Jake Lacy, Emma Thompson. PG cert, gen release, 89 min
As long ago as 2003, Johnny English, an entirely superfluous spy spoof, was already underwhelming and outmoded when it transitioned from likable TV advertising campaign to the big screen. The belated 2011 sequel didn't offer much of an improvement, but it was an absolute riot placed beside this unnecessary, half-baked third film. Emma Thompson, playing a half-bright British PM, the charming talents of Kurylenko and Lacy (playing a tech-bro billionaire), and even Atkinson's contortions are squandered by a script that doesn't seem to contain a single joke. TB

KATIE ★★★★☆
Directed by Ross Whitaker. Featuring Katie Taylor.12A cert, gen release, 90 min

Delightful documentary on the rise of Bray's Katie Taylor. The boxer emerges as a contradictory personality: shy, modest, but frighteningly determined. The storytelling around her is efficient, lucid and (ahem) punchy. Family and associates laud the boxer without ever becoming overly gushy. We get a taste of her attachment to Christianity. We get some sense of what drives her to greater heights. But, unlike Notorious, the recent makeweight Conor McGregor doc, Katie never feels like a product of the fighter's marketing machine. DC

THE LONELY BATTLE OF THOMAS REID ★★★★☆
Directed by Feargal Ward. 12A cert, lim release, 80 min
Thomas Reid was the stubborn Kildare man who, in the middle part of this decade, refused to sell a hunk of land, earmarked for "strategic industrial development", to a dumfounded Industrial Development Authority. Ward's hugely impressive, often beautiful documentary (bordering on docu-drama) uses recreations, interviews and a wandering camera to create a portrait of a genuine original: eccentric, determined, infuriating. Two worlds exist in parallel here: the modern and the ancient. Neither has, at time of release, encroached significantly on the other. DC

MANDY ★★★★★
Directed by Panos Cosmatos. Starring Nicolas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy, Olwen Fouéré, Richard Brake, Bill Duke. Club, QFT, Belfast (Sat only); Light House, Dublin, 121 min
Ostensibly, this is a movie in which logger Red (Cage) exacts a terrible (but appropriate) revenge against a Manson Family-like religious cult and their cannibal biker cohorts from hell (actual hell) – we don't wish to spoil these adversaries, but wow! – after they have abducted his girlfriend Mandy (Riseborough). Any summary ignores the incredible textures in the film. Cheddar Goblin Macaroni, anyone? It's fascinating to observe Cage snake his way in and around the 1980s largesse of the project. As Roache's creepy man-child leader has it: "You're a special one, Mandy." TB

ROSIE ★★★★☆
Directed by Paddy Breathnach. Starring Sarah Greene, Moe Dunford, Ellie O'Halloran, Ruby Dunne, Darragh McKenzie, Molly McCann. 12A cert, gen release, 82 min
Working from a script by Roddy Doyle, Breathnach gives us a troubling, moving study of how homelessness now functions. Greene and Dunford are super as a couple flung into a hotel when their landlord sells up. Rosie is claustrophobic throughout, but Doyle's durable humanism does provide some light in the darkness. The mechanism of society has become clogged, but the film wastes no time blaming those who merely maintain the cogs and levers. DC

SMALLFOOT ★★★☆☆
Directed by Karey Kirkpatrick. Voices of Channing Tatum, James Corden, Zendaya, Common, LeBron James, Danny DeVito. Gina Rodriguez, Yara Shahidi, Ely Henry, Jimmy Tatro, G cert, gen release, 96 min
Smallfoot, an inversion of the Big Foot myth in which Abominable Snow Persons are terrified to learn that humans are real, is bogged down with elaborate mythology introduced in song. But once the film gets into its stride, it's a likable and zany family fable. The voice cast is charming and the creature design appealing, even if the human characters, as is often the case in CG animation, don't really cut it. The theme – your leaders are lying to you – is a welcome swerve for a kid's film, as is a rap number performed by Common that rhymes: "Over time/ We Surmised/ We were facing genocide." Deep. TB

A STAR IS BORN ★★★★★
Directed by Bradley Cooper. Starring Bradley Cooper, Lady Gaga, Sam Elliott, Andrew Dice Clay, Rafi Gavron, Dave Chappelle, Rebecca Field, Michael Harney, Shangela Laquifa Wadley. 15A cert, gen release, 135 min
A triumphant return to an indestructible Hollywood warhorse. Gaga exceeds all expectations as the talented working-class ingenue propelled to fame by Cooper's soused rocker. Leaning into the male lead like a bird investigating promising movements among the undergrowth, she is exotic when she's ordinary and rooted when she's fantastic. Cooper is equally strong – browned to the colour of yesterday's tea – as a decent man laid low by addiction. The music is great. The nimble camera-work is a pleasure. What's not to like? DC

UTØYA: JULY 22 ★★★☆☆
Directed by Erik Poppe. Starring Andrea Berntzen, Aleksander Holmen, Elli Rhiannon Müller Osborne. Club, lim release, 92 min

The best thing about this skillful, seemingly single-take dramatisation of the 2011 Utøya massacre is that it doesn't feature Anders Behring Breivik. DOP Martin Otterbeck seldom leaves the side of Kaja (the impressive Andrea Berntzen), a sensible 18-year-old attempting to locate her sister after the shooting starts at a summer camp for the left-wing Workers Youth League. A grim, startling, and immersive experience, but without the historical rigour of Paul Greengrass's Bloody Sunday or the comforting heroics of his United 93, the purpose and point of the project seems uncertain. TB

VENOM ★★★☆☆
Directed by Ruben Fleischer. Starring Tom Hardy, Michelle Williams, Riz Ahmed, Scott Haze, Reid Scott. 15A cert, gen release, 112 min
Hardy places a journalist infected with a symbiotic alien in Sony's latest unconnected Marvel adaptation. With reviews embargoed until day of release and the star telling reporters his best bits have all been cut out, Venom was shaping up to be a disaster of Green Lantern proportions. It's rubbish all right – too much CGI, too little story – but, thanks to some Nic Cageian excess from the star, it's perfectly entertaining rubbish. Less up itself than Infinity Wars. DC

THE WIFE ★★★★☆
Directed by Björn Runge. Starring Glenn Close, Jonathan Pryce, Christian Slater, Max Irons, Annie Starke, Harry Lloyd, Elizabeth McGovern. 15A cert, Light House, Dublin (Sun/Mon only), 100 min
It's 1992 and the long-suffering wife (Close) of a much-lauded American novelist (Pryce) travels to Stockholm, where her husband will receive the Nobel Prize for Literature. It's a moment of triumph that unexpectedly leaves all parties reeling, with just a little prodding from a fanboy journalist (Slater, excellent) eager to write the author's autobiography. Working from a clever script by Jane Anderson (Olive Kitteridge), Swedish director Runge's film version of the 2003 Meg Wolitzer novel pivots around a subtle, inscrutable turn from Close, making her the bookies' favourite to win the Best Actress Oscar next spring. TB