Four new films to see this week

Proto-feminist western The Dead Don’t Hurt, plus witty true-life Hit Man, period French drama Rosalie, and another big-boom Bad Boys sequel

Vicky Krieps in The Dead Don’t Hurt. Photograph: Signature Entertainment/Marcel Zyskind
Vicky Krieps in The Dead Don’t Hurt. Photograph: Signature Entertainment/Marcel Zyskind

The Dead Don’t Hurt ★★★★☆

Directed by Viggo Mortensen. Starring Vicky Krieps, Viggo Mortensen, Solly McLeod, Garret Dillahunt, Colin Morgan, Ray McKinnon, Luke Reilly, Atlas Green, Danny Huston. 15A cert, gen release, 130 min

Fine western about a couple (Mortensen and Krieps) separated by the civil war. Krieps has her best showcase since Phantom Thread, wherein the smallest raised eyebrow speaks volumes. “I will miss you,” he tells her. “I hope so,” she replies, dryly. Mortensen’s script tussles between feminist revision and old-school male showdowns, imagining Krieps’s character as a Joan of Arc-inspired frontierswoman still subject to the degradations of the era. Mortensen, who has previously channelled and reworked western tropes in The Road and Jauja, assembles a crack team of character actors around her. Full review TB

Hit Man ★★★★☆

Adria Arjona and Glen Powell in Hit Man. Photograph: Brian Roedel/Netflix 2024
Adria Arjona and Glen Powell in Hit Man. Photograph: Brian Roedel/Netflix 2024

Directed by Richard Linklater. Starring Glen Powell, Adria Arjona, Austin Amelio, Retta. Netflix, 115 min

Witty comedy-thriller from one of American’s most versatile directors. Powell plays Gary Johnson, a philosophy professor at a New Orleans university who moonlights as the tech operative with his local police department . One fateful afternoon, Gary is required to stand in for the “hired gun”, posing as a hit man for hire to lure would-be clients of paid assassins. Based on the 2001 Texas Monthly magazine profile of the real Johnson, this sexy, old-fashioned caper makes merry with unreliable narration, slapstick, and the stress of remembering: which lie did I tell? Full review TB

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Bad Boys: Ride or Die ★★☆☆☆

Martin Lawrence and Will Smith in Bad Boys: Ride or Die. Photograph: CTMG, Inc./Frank Mas
Martin Lawrence and Will Smith in Bad Boys: Ride or Die. Photograph: CTMG, Inc./Frank Mas

Directed by Adil & Bilall. Starring Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Ioan Gruffudd, Rhea Seehorn, Joe Pantoliano. 16 cert, gen release, 115 min

The fourth film in the sequence — again sending detectives Smith and Lawrence about Miami — is a let-down after the surprisingly lucid Bad Boys Forever. The film plays as a muddle of set pieces that fail to form any kind of coherent line. The duo meander along in reasonably effective fashion. Lawrence is permitted to puff and wheeze like a man of his age. Smith, in contrast, hasn’t trimmed the performance much — still metaphorically freewheeling his bike with one finger hooked around the back of a streetcar. He’d want to watch it. Bruises don’t heel as they once did. Full review DC

Rosalie ★★★☆☆

Nadia Tereszkiewicz in Rosalie. Photograph: resor Films/Gaumont/LDRPII/Artémis Productions
Nadia Tereszkiewicz in Rosalie. Photograph: resor Films/Gaumont/LDRPII/Artémis Productions

Directed by Stéphanie di Giusto. Starring Nadia Tereszkiewicz, Benoit Magimel, Benjamin Biolay, Guillaume Gouix. 15A cert, limited release, 115 min

Touching, beautifully shot period piece — roughly based on the life of one Clémentine Delait — concerning a woman who, after marrying an innkeeper, exploits her healthy beard to draw in fascinated customers. Much soapy action keeps the action bubbling towards a final reckoning between husband and wife. Here the film, well-reviewed at Cannes last year, is at its strongest. Tereszkiewicz and Magimel give us a pair without the language to negotiate emotional crises that contemporaneous society would prefer to keep repressed. The final catharsis is moving and plausible. Rural life is represented with some elegance. Full review DC

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Donald Clarke

Donald Clarke

Donald Clarke, a contributor to The Irish Times, is Chief Film Correspondent and a regular columnist

Tara Brady

Tara Brady

Tara Brady, a contributor to The Irish Times, is a writer and film critic