Considering that Don Cronin has already made a name for himself through public commissions in Cork city and county, it is surprising to find that this is his first solo show.

Many of the public sculptures are figure- or animal-based subjects, and are significantly different from the abstract works on show here.

In many respects, this is an exhibition of contrasts, but that does not disrupt its homogenous feel. The contrast comes from the manner in which Cronin strives for alternatives, in particular through his adaptable approach to the use of materials, scale and finish.

A thematic basis for the work is not openly enforced, but there is more than a passing suggestion that the artist is interested in the conflict between man and nature.

A number of the forms feature a rather bold interface between pristine stainless-steel surfaces and unruly organic forms cast in bronze from twigs and branches.

This general interest in growth and decay extends to the tongue-in-cheek sperm featured in A Race To The Finish.

But, ultimately, any reading of narrative or concept is secondary to Cronin's skill for crafting minimalist form.

Pypette And Partner is beautifully rendered and finished, with polished areas of stainless steel contrasting against frosted segments. At the other end of the spectrum is Hurdy Gurdy, a seven-foot totem pole with a funnel made from concrete and steel rods.

Overall, this is a vibrant show that mixes idiosyncrasy and formalism in equal measure.

Runs until September 22nd