"Now, bring it down slowly and wiggle it a bit," said the contented looking man in the sports jacket, a photograph of a pair of tartan clad legs in his hand, and a big smile, surfing across his mouth. A tall man in jeans and a multicoloured blindfold moved his brush along a canvas. It was all happening in Peter Fitzgerald's Artists' Work Programme studio at IMMA last Sunday. The blindfolded artist was, with the help of two friends, attempting to reproduce in paint a picture he had not seen. So while one assistant translated a photograph into descriptions of gestures, ("now make a sort of hoop moving upwards") another mixed and matched paints and loaded the brushes. The painted image was not, however, nearly as emphatic as the questions that the work threw up. Who was the artist here? The one who mixed the colours, the one who directed, or the one who wielded the brush? From where did a painter's style emerge? Do we believe that a collaborative work is of a lesser interest or value than one produced by an individual? More of the same please.